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Much of the film was shot in Jodhpur, Rajasthan. The Himalaya scenes were shot in Udaipur, and the opening scene of the film was also shot on the streets of Jodhpur. The International Airport shown near the end is the old terminal building of Udaipur Airport. The hill featured at the end of the movie is Elephant Hill, Narlai. The scenes set in New York were filmed in Long Island City.
The soundtrack features three songs by The Kinks, "Powerman", "Strangers", and "This Time Tomorrow", all from the 1970 album, Lola Versus Powerman and the Moneygoround, Part One, as well as "Play With Fire" by The Rolling Stones. "Where Do You Go To (My Lovely)" by Peter Sarstedt is prominently featured as well, being played within the film more than once. Most of the album, however, features film score music composed by Bengali filmmaker Satyajit Ray, Merchant Ivory films, and other artists from Indian cinema. Director Wes Anderson has said that it was Satyajit Ray's movies that made him want to come to India.[2] The works include "Charu's Theme", from Ray's 1964 film Charulata, film-score cues by Shankar Jaikishan and classic works by Debussy and Beethoven. The film ends with the 1969 song "Les Champs-Élysées" by French singer Joe Dassin, who was the son of blacklisted American director Jules Dassin.
Following a troika of greats with "Rushmore", "The Royal Tenenbaums" and "The Life Aquatic with Steve Zissou", Wes Anderson extended it with "The Darjeeling Limited". This one has brothers Peter (Adrien Brody), Jack (Jason Schwartzman) and Francis (Owen Wilson) traveling together on a train through India for a "spiritual journey". The dysfunctional family is clearly Wes Anderson's specialty, and he doesn't disappoint. Especially impressive is the scene showing the brothers before the trip to India (I liked how the scene throws the audience off).Are dysfunctional families becoming a cliché in Anderson's movies? Well, suspense was a cliché in Alfred Hitchcock's films, and Hitch made great use of it. Wes Anderson has made another good film here, and I recommend it. Part of the point is that, despite these people's problems, they're well-meaning. I can see the brothers as a branch of the brood in "The Royal Tenenbaums", with the luggage representing the emotional baggage with which the father left them (and then what they do to the luggage at the end).Anyway, a really good one. Anderson so far hasn't made a bad movie, and so I hope that he doesn't disappoint with "Fantastic Mr. Fox" (currently in production). Also starring Waris Ahluwalia, Amara Karan, Barbet Schroeder, Wallace Wolodarsky, Anjelica Huston, Natalie Portman, Irfan Khan and Bill Murray. 2b1af7f3a8